This artist was distinguished by his special strokes. They could be different: either smoothed, sometimes textured and expressive, then dense. This painting was painted during the period when he left for Gurfuz in 1914. He was very upset by the misfortune that happened to his seventeen-year-old son, and he left on the coast. However, this did not affect his work. He sincerely believed that it is impossible to bring notes of minor in the work only because of a bad mood. The artist was sure that people should be able to rejoice, no matter what.
Korovin said that the paintings should bring people light and happiness, which is also visible in this picture. The colors here are permeated with light, and their brightness and richness prevail over the lightness that occurs when you look at the picture. Everything on it develops into combinations of amazing beauty. At first glance, sloppy, very accurate dense strokes create a sense of volumetric picture. And the apparent illegibility of objects in the background makes you think of something that is not visible in the picture. Light and bright colors prevail, and on the water you can see glare.
The central character of the plot is a girl who sits in an ordinary wooden chair on the veranda of a cafe. Her relaxed appearance and light dress indicate that she is in no hurry. In the distance stands a large sailboat on the pier, its light sails, traced in large strokes, attract the attention of no less than the person of a young woman in a hat. A lot of people are standing on the pier, perhaps some of them are fishing, but this artist did not draw.
Golden Autumn Polenov